You
All right, gang, gang, gang. All right. So, what's popping? How are you? How's the camping? It looks sick.
Rikitaro Suzuki
It was it was really
You
Yeah.
Rikitaro Suzuki
fun. It was pretty cold, but definitely
You
Hell
Rikitaro Suzuki
worth it.
You
yeah.
Rikitaro Suzuki
Yeah, how
You
It
Rikitaro Suzuki
was your weekend?
You
was good. Um, Friday night we did the little shindig at the stew and like the stew is like, hovered in rugs now, so it's like. I've now called the stew, no shoes. Yeah,
Rikitaro Suzuki
Oh, yeah.
You
so yeah, like literally like pop out. Oh, you guys go into the no shoes party, like, yeah, you know. Um, I also realized like I'm never inviting a bunch of strange white people in there ever again. Like that shit was crazy. My man's like, has been such a huge supporter of me and like, he just comes to like literally every gig and stuff like that. So I was just like, and he and we collaborate a lot, right? So I was just like, nah,
Rikitaro Suzuki
Yeah.
You
it's his birthday, like, who's gonna show out for him? You know what I mean? I got somebody's got to do it. You know what I mean? Um,
Rikitaro Suzuki
Yeah, for sure.
You
uh, but yeah, now like that people were taking pictures of shit. I was just like, no, no, no, no. Y'all got to pretend like this doesn't exist. Like,
Rikitaro Suzuki
Mm-hmm
You
this is, this is not the attitude. This is not the energy. you know. Um,
Rikitaro Suzuki
Mm-hmm.
You
but yeah, no, like, it was great. Like, my homie came in town Saturday and Sunday and I went out a little bit and stuff like that. But yeah,
Rikitaro Suzuki
Hello.
You
I'm like, I like got my day started. Um, I have a meeting at one uh, with, um, uh, like with corded, but like I just have like one or 2 meetings like sprinkled throughout the week rather than having like, you know, like all day long working and stuff like that. Um, so, so yeah, I have bad time. Um, so definitely looking to, you know, just figure out kind of uh, how to start improving great. I feel like I feel like the, this week, I'm going to be working on, um, my sets for Memphis and Nashville. So I'm just
Rikitaro Suzuki
All
You
going to be like
Rikitaro Suzuki
right.
You
there's going to be a bunch of like me listening to music. So I feel like it's the right time to just like make a big push on crate for like a week. Um,
Rikitaro Suzuki
Oh, yeah. That's
You
so,
Rikitaro Suzuki
it.
You
so there's a few things that I want to do. First thing I want to do is just like clean up, right? Like there's a whole bunch of broken shit in there and then I did all the
Rikitaro Suzuki
Mm.
You
login stuff, whatever, right? Like, one thing that I did do was now 36247 inherits from crate. So the,
Rikitaro Suzuki
Okay.
You
now there's like a singular config that allows
Rikitaro Suzuki
Yeah.
You
you to define basically like the image on the landing page, like the animation in the background, the like URLs, like ors, all that other like configuration stuff, and like a single Tomo file, right? Um, And then that file. Uh, yeah, now if there's any changes to grade, you can just rebase against uh, the other remote and you're good to go.
Rikitaro Suzuki
Okay,
You
Yeah.
Rikitaro Suzuki
well, um. What is crate running on? Is it like an easy 2 or is it
You
No,
Rikitaro Suzuki
like?
You
so crate is a crate is cloudfront. Uh, Cloudfront S3,
Rikitaro Suzuki
right.
You
right? Um, those are the only, like, those are the only things that 36247 was based on. Um,
Rikitaro Suzuki
Mm-hmm.
You
when I switched to streaming, then I added a Lambda. Um, Right.
Rikitaro Suzuki
Oh, I see what you're saying. Yep.
You
And then I think I'm going to add dynamo as like state state sync, right? Like, I don't want to use it as state management. Like, I don't want to have an ORM or any other type of bullshit. I want, um, your, the, the, I want to continue using the mechanism where your state lives entirely locally, and then you can just sync
Rikitaro Suzuki
No.
You
it up, and then if you go to another place, you can like log back in and then your session is recreated. Yeah,
Rikitaro Suzuki
Through dynamo. Okay.
You
exactly. Ah, mhm.
Rikitaro Suzuki
Um. And then you were talking about users user management side of things,
You
Mm-hmm.
Rikitaro Suzuki
like.
You
Yeah, so the way that the user management works is also an S3, but I might switch it to dynamo, but the key will be your username, colon, the salted password that you enter, and then whatever state lives on the other side of that is what you get.
Rikitaro Suzuki
Hmm. Um. Do you see any, I guess, yeah, I guess feature
You
Mm-hmm.
Rikitaro Suzuki
wise, like, do you see discovery
You
Yes.
Rikitaro Suzuki
through crate? Like, can you find other
You
Yes,
Rikitaro Suzuki
people crates?
You
so I want to do like, like web dot grade or like, I don't know, search dot grade.com, some shit like that. I don't know. search will probably be the actual searching point, but like it
Rikitaro Suzuki
Mm-hmm.
You
will be, I don't know, whatever the top level, right? like, um, maybe index.crate.com, right? Uh, uh, or crate. Well, right now crate lives at crate. rumsey.world. Ill probably move it to crate.io if I can get that. But that may be taken by Rust. Um, So
Rikitaro Suzuki
Yeah.
You
I'll have to look, right? But it'll be something, whatever. It'll be something like something dot something crazy. You know what I mean? Um, oh, I actually could do C-R-A-T dot ES uh, for Spain. So I'm going to see if I can do that. And it'll just be the main page, right? Whenever you log into like the main page, right? You'll like log in and then you'll see kind of like the Discover page. And then from the Discover page,
Rikitaro Suzuki
Yeah.
You
you'll go to your own player and your own player is basically the current implementation. We would move this search out to the top. We have to figure, like, one big thing that's a problem right now is that, like, the UI is literally just me padding in the dark, right? Like, what I what
Rikitaro Suzuki
Yeah.
You
I really, really want to do is like have a conversation with you where we just sit down in like, uh, figma and we just draw it. You know what I mean? Um,
Rikitaro Suzuki
Mhm.
You
that
Rikitaro Suzuki
Okay.
You
would be... I mean, honestly, that would be where I would like to get by like Tuesday or Wednesday. And then by Friday. I want to integrate it with mycelium. That's
Rikitaro Suzuki
Okay.
You
like my job. So that, yeah, the idea is that it's deployed and implemented to deploy and implemented to prod in the, uh, like in my AWS environment, right? And it has user management and state syncing. And it just is implemented exactly how it is, right? And then like the
Rikitaro Suzuki
Uh-huh.
You
Discover page will literally just be a link to all of the other crates.
Rikitaro Suzuki
Okay, so then, are you thinking of having, like, a central registry of some
You
Correct.
Rikitaro Suzuki
sorts or is it
You
Yeah.
Rikitaro Suzuki
for, okay, rather than, Because I still do like the idea of some level of network effect in, but I guess that can be more so like recommendation and discovery
You
No, I
Rikitaro Suzuki
versus.
You
think, well, yes, I think you're right. Like, I haven't given this critical thought. So, like, I don't want to, like, say anything that I don't like truly believe, but I think that the, what I'm getting at is that the... I want to treat the framing for these concepts. Right? And so I
Rikitaro Suzuki
Mm-hmm.
You
think that that means that we have a central application, right, which is the same setup, but it doesn't have
Rikitaro Suzuki
Mm-hmm.
You
any storage associated with it, and it
Rikitaro Suzuki
Mm-hmm.
You
has dynamo and dynamo is simply like, uh, owner, colon, crate name, and then the euro.
Rikitaro Suzuki
Okay.
You
Yeah. Mm-hmm.
Rikitaro Suzuki
Okay. Um. Yeah, I guess it's like, how do you? There's a couple different angles to attack you from, like, the, I realize, yeah, you're right. The UI perspective is kind of
You
Mm-hmm.
Rikitaro Suzuki
important, what does it
You
Mm-hmm.
Rikitaro Suzuki
feel? Um. Because I guess like, You know, I guess the the format that everybody's copied is like the related artist
You
Mm-hmm.
Rikitaro Suzuki
thing.
You
Mm-hmm. Yeah,
Rikitaro Suzuki
But I
You
I want to,
Rikitaro Suzuki
do.
You
I want to do it as a network. Like, I think that's where the mycelium piece comes in where
Rikitaro Suzuki
Yeah.
You
it's like, okay, you have a crate, right? And York rate has physical controls, right? And digital controls, right? Digital controls for your crate are play, pause, not sorry. Um, I think there's 2 layers, right? There's the, uh, let's call it Beatis, excuse my language, but let's call it the BSC layer, right? Right? Like us, us to the user, right? Um, right? And then there's the B to B layer, a prey to a freight, right? And so I think the B to C layer has its own set of physical and digital controls, and then the B to B layer has the same, right? As the way that we kind of, uh, create, um, even like kind of the basis of like the object framework that we want to work with, right? Like their
Rikitaro Suzuki
Yeah.
You
service framework, right?
Rikitaro Suzuki
Yep.
You
And
Rikitaro Suzuki
Yep.
You
so service to service communication can be like, okay, I have this master key. It's like a huge object, like physical, right? Like we print like
Rikitaro Suzuki
Mm-hmm.
You
a, we print like a, like a key blade from fucking kingdom hearts and you're like, okay, shit. If you want to like join my crate, you got to like touch key blades or whatever, right? Like, you know what I mean? Right? And then like, 0 shit, our face are linked, you know what I mean? So like anybody that sees
Rikitaro Suzuki
Yeah.
You
your crate, this related to my crate over like a soul bond or whatever, you know what I mean? Right? And then like there's like the world, right? Like, I
Rikitaro Suzuki
Yeah.
You
think that the crates should literally just be geographically located, right? And you can play somewhere wherever you want. Like, they don't physically, like, I can place my Memphis crate in Memphis, and you can place your
Rikitaro Suzuki
Yeah.
You
crate, you know, in your neighborhood, right? But I think that, like, the, like, CRAT.ES would literally just be a map, right? as one of the interfaces. We can
Rikitaro Suzuki
Yeah.
You
do all types of different interfaces,
Rikitaro Suzuki
Yeah.
You
right? But the idea that
Rikitaro Suzuki
Yeah.
You
it's like a physical map, right? And you're like, oh, if you want to get to be in this crate, you can like physically go to this place and you can like tag this and now you have access to the crate as one way of doing it, right? Another way is like a digital control, right? Hey, I send you the secret one time link. You click that, you have access to the crate, right? But like having this multimodal system of connecting crates, and then everybody is registered globally.
Rikitaro Suzuki
Yeah. I do, I do like the idea that there is some informational
You
Mm-hmm.
Rikitaro Suzuki
hierarchy in regards of like, putting, you basically get more if you physically show up, you know,
You
Sure, sure, sure. No, I think,
Rikitaro Suzuki
uh,
You
I
Rikitaro Suzuki
yeah.
You
think that the, yes, there needs to be some sort of modularity in the, um, rights management process, right? Like,
Rikitaro Suzuki
Yeah.
You
I think we should overload all
Rikitaro Suzuki
Yeah.
You
of the words that they use in the industry currently to talk about this stuff so that we reestablish
Rikitaro Suzuki
Mm.
You
the meaning of these things, right? So like there's like production rights, there's distribution rights, there's, um, you know, uh, consumption rights, you know what I mean? Like, and so those consumption reds can take many forms, right? Consumption right of the type, uh, subscription of the type, one-time fee of the type, how me, right? You know what I mean? Right? So that's like the way that I want to build modularity in the rights management. We have to have like a, you know,
Rikitaro Suzuki
It's like a
You
Yeah,
Rikitaro Suzuki
publisher service, essentially.
You
we call it like fuck you, rights management or something like that. You know what I mean? And instead of like did DRM, right? We got to like, we got to like create something like mad disrespectful. You know, um, And uh, and yeah, right? There's like this fucking century that like monitors the entire system or is actually not really a thing. It just lives in the business logic underneath the system, right? That's
Rikitaro Suzuki
Mm
You
basically like, you suck my dick. Like, you know what I mean? Like, you know, like it's got to act like a New Yorker and people have to be afraid of it, right? Like, if you steal somebody's shit and we like find out that you steal somebody's shit, then we're going to ban you like fully, right? Like, I think another
Rikitaro Suzuki
Yeah, yeah.
You
part of this is like, that's going to be challenging, is the rights management in general, right? Like, one
Rikitaro Suzuki
Yeah.
You
thing that I want people to do, which is probably going to be a problem, like, in 10 years if we're successful, right, is like, or maybe shorter, but like, excuse me. The idea that you don't own the music. right? Like, in an ideal world, right? We would try to play nice with all the existing rights organizations and we would basically say, oh, people are distributing their music through this new platform. Like, nobody has, like, we don't have to pay any, uh, apad, what is it called? Um, fucking BMI or ASCAP or whatever, right? Like, this is this is the way in which these people are deciding to sell their their work, right? Um, But I think we need to take it a step further, right? And basically allow people to, like, do this, like, kind of, because, uh, P2P, file sharing shit where it's like, this is all the music that I DJ. Like, I want to treat this basically like a DJ pool as well, right? Because
Rikitaro Suzuki
Hmm.
You
that was my initial goal. Like I've been trying to build a DJ pool for like 5 years or something like that. And I've done it on Google Drive. I built like a little S3 tool, like before all the AIs to like do that and shit like that and it was great. It works. But the reality now is that like, oh, I can just build a player on top of it and we should be able to use that instead of any streaming service. Right. So
Rikitaro Suzuki
Yeah.
You
I still,
Rikitaro Suzuki
Yeah.
You
I still think that that's like critical. That's a critical path, right? Like I, no matter how we rework this, we can't lose that.
Rikitaro Suzuki
Yeah, I think the, I mean, personally, I think one of the fundamentals is like in regards
You
Mm-hmm.
Rikitaro Suzuki
to data ownership and then
You
Mm-hmm.
Rikitaro Suzuki
access, like, as an artist, you fundamentally own your
You
Mm-hmm,
Rikitaro Suzuki
data,
You
Mm-hmm.
Rikitaro Suzuki
you,
You
Mm-hmm.
Rikitaro Suzuki
all the way through. Um, but what I came to understand that like maybe is less important
You
Mm-hmm.
Rikitaro Suzuki
about ownership is just like
You
Mm-hmm.
Rikitaro Suzuki
access rights and being able to like revoke. I guess what we talked about last
You
Hmm.
Rikitaro Suzuki
Thursday, but yeah, revoking and granting access to different groups of people
You
Mm-hmm.
Rikitaro Suzuki
and things like
You
Yeah,
Rikitaro Suzuki
that.
You
and everything
Rikitaro Suzuki
Um.
You
has to be time bound, right? Even if you give somebody a quote unquote unlimited license, that's going to be like 9999 years. You know what I mean?
Rikitaro Suzuki
Yeah,
You
Right?
Rikitaro Suzuki
yeah, yeah. Yeah.
You
Like, in the future, one days, they're going to lock on everybody. And we got to, like, figure that out, you know? Like, I,
Rikitaro Suzuki
Yeah.
You
I want, I want like a Y2K moment where everybody's just like started their crate, like, like Sony started a crate in 2026 and like they get locked out of their own shit and like the artist owns it again. You know what I mean? Like I, that's like, that's actually critical. Honestly, this is really, really important. I want to
Rikitaro Suzuki
Yeah.
You
wait for labels to want to use our tool in a way that ultimately disadvantages them. Right?
Rikitaro Suzuki
Interesting.
You
Like, I want to, I want to trick them, right? I want people to, I want this to be something that people use organically and like labels are like forced to do it, and I don't mean like independence or whatever, right? Like major labels are forced to use it, and it eventually locks them out of their relationship with artists.
Rikitaro Suzuki
Yeah. No, I fuck with that. Um, I think the other side, well, I was thinking about, um, We talked about data access. We talked about. Okay, the people, um, yeah, eventually, like, I realize it does come down to, I, the analogy that I keep thinking about is just like how TV and like movies work in that world
You
Hmm.
Rikitaro Suzuki
of, how studios grant, I guess, licensing and things
You
Mm-hmm.
Rikitaro Suzuki
like that
You
Mm-hmm.
Rikitaro Suzuki
to a Netflix
You
Mm-hmm.
Rikitaro Suzuki
to use
You
Mm-hmm.
Rikitaro Suzuki
for the time
You
Mm-hmm.
Rikitaro Suzuki
period, but it doesn't work like the music. The assumption is
You
Mm-hmm.
Rikitaro Suzuki
upload. It's there forever.
You
Mm-hmm. Mm-hmm. Yeah.
Rikitaro Suzuki
And then if you wanted to get down, it's like a whole convoluted process all to
You
A
Rikitaro Suzuki
itself.
You
100%. Yeah, I mean, look, like, I think there are certain realities that are, um, indisputable, right? Like, there's no way to fully protect the music, right? Like,
Rikitaro Suzuki
No,
You
You
Rikitaro Suzuki
no, no.
You
know, that, like, we, like, I know that you know that. I just really want to make sure that in this recording it's clear that we understand that. right?
Rikitaro Suzuki
Yeah.
You
Like,
Rikitaro Suzuki
Yeah.
You
there's no way to stop people from recording with their phones or recording
Rikitaro Suzuki
No.
You
directly or whatever, right? So.
Rikitaro Suzuki
Yeah, either
You
Knowing,
Rikitaro Suzuki
like, yeah. Black
You
Knowing
Rikitaro Suzuki
holes, yeah.
You
that's true, right? Our only real ability to enforce that is at the corporate level, right, at the highest level. Like, we know that people are going to steal. That's like how music works, right? Movies, all kind of media works that way, right? So the
Rikitaro Suzuki
Mm-hmm.
You
like protections and the enforcement is like when we're talking to white people, right? Like, meaning like people who are consumers that are not creators, that's like what I I'm just calling white people right now. Um, and,
Rikitaro Suzuki
Yeah.
You
uh, also, um, you know, like moneyed white people, right? People that like are, you know, somewhat invested in the like financial side of, uh, of music, right? Um,
Rikitaro Suzuki
Mm.
You
and so the idea is like, at its basis, this is a platform to protect the interests of everyone involved until like, you know, create a far more equitable and decentralized, not democratic, but decentralized methodology for how we deal with music access, period. Right? I
Rikitaro Suzuki
Yeah.
You
want to make sure that that like is the correct, like, motivation and like, model tagline, like that, that's the thing that's like critical for us to like kind of, like, rock now, and do you have 3 minutes left or are you good? Oh, I actually have 3 minutes left.
Rikitaro Suzuki
Yeah,
You
Fuck.
Rikitaro Suzuki
yeah,
You
Uh,
Rikitaro Suzuki
yeah.
You
I don't know. Um, yeah.
Rikitaro Suzuki
Um. No, that's that that sounds about right. I think, yeah, the. It's, yeah, I guess it comes down to, yeah, decentralization, reversal of data
You
Mm-hmm.
Rikitaro Suzuki
ownership and limited time use, um, granted upon by the artists or collective or label. If it's like a small collective label, whatever, grouping of people.
You
Mm-hmm.
Rikitaro Suzuki
Um. That, yeah, isn't infinite
You
Mm-hmm.
Rikitaro Suzuki
access.
You
Mm-hmm.
Rikitaro Suzuki
Um. And then, I guess the other thing that I want to put in there just
You
Mm.
Rikitaro Suzuki
is like prioritization of people showing up in IRL as opposed to hanging out digitally. Um, and be being
You
Mm-hmm.
Rikitaro Suzuki
rewarded for showing up. Like,
You
Mm-hmm.
Rikitaro Suzuki
that's that's important.
You
Mm-hmm.
Rikitaro Suzuki
Because that, that's where the conversation happens.
You
No, 100%. Yeah, cool. No, it totally makes sense, right? I do think that like, by, um, I don't know if you've seen like USB club or some of these other things, but like, there's other groups of people doing things where like they'll send you a USB and the USB only allows you to like put music on it when you are physically at a location or they do like USB meetups,
Rikitaro Suzuki
Oh
You
where
Rikitaro Suzuki
cool.
You
everybody just plugs
Rikitaro Suzuki
Wow,
You
in their USB
Rikitaro Suzuki
that's
You
and like gets
Rikitaro Suzuki
good.
You
the new music. So like, yeah,
Rikitaro Suzuki
Yeah.
You
I feel like there is a growing community of people like trying to create kind of a, again, like a physical expression of the relationship,
Rikitaro Suzuki
Mm-hmm.
You
the media relationship that we have, you know what I mean? Um,
Rikitaro Suzuki
Yep.
You
so, so yeah, no, we're in, uh, we're in hyper agreement. You
Rikitaro Suzuki
Yeah, yeah.
You
know.
Rikitaro Suzuki
I also got a
You
I
Rikitaro Suzuki
gotcha pun machine.
You
know you told
Rikitaro Suzuki
Like
You
me I'm so fucking
Rikitaro Suzuki
a...
You
excited dude. Did they did they come in? Please
Rikitaro Suzuki
Yeah, it's so sick.
You
say pigs. I
Rikitaro Suzuki
Yeah.
You
like need
Rikitaro Suzuki
Yeah,
You
to see
Rikitaro Suzuki
right.
You
this. Um, but I'm
Rikitaro Suzuki
Yeah, it's
You
also going to post this,
Rikitaro Suzuki
so.
You
this conversation um, in, in, uh, or the recording in, uh, What's it called? In Discord, and I'm going to get the, uh,
Rikitaro Suzuki
Okay.
You
I'm going to, what's, I'm going to do a dictation of it as well. Uh,
Rikitaro Suzuki
Okay. Yeah, that
You
but you,
Rikitaro Suzuki
sounds cool.
You
sorry, sorry to interrupt. I just wanted to say that before we close it up. What were you saying about the Gotcha
Rikitaro Suzuki
Yeah.
You
Bond?
Rikitaro Suzuki
No, no, that's, that's, that's it. I sent you a video.
You
Oh, fire, fire. No, dude, honestly, I'm so excited. You look.
Rikitaro Suzuki
I do have to like design new keychains for that size limitation. It's
You
Oh
Rikitaro Suzuki
smaller. It's like
You
hell
Rikitaro Suzuki
50
You
yeah.
Rikitaro Suzuki
millimeters.
You
Bandai too, my guy. This is so sick. How much did it cost? You said 250?
Rikitaro Suzuki
It was
You
No
Rikitaro Suzuki
like 80 bucks.
You
way. Dude,
Rikitaro Suzuki
Yeah, wasn't that bad.
You
we should buy like 8 of them.
Rikitaro Suzuki
Yeah, that's kind. That's
You
Wait,
Rikitaro Suzuki
that's what I want.
You
can you send
Rikitaro Suzuki
But
You
me the link?
Rikitaro Suzuki
I.
You
I'm gonna actually buy my own.
Rikitaro Suzuki
Yeah.
You
I mean, immediately.
Rikitaro Suzuki
No, there's, it's so sick.
You
Yeah.
Rikitaro Suzuki
Um. Yeah, I found it on, it's on Amazon. It's pretty. They're pretty nice. Um. But I will say, like, at some point, I do want the full size one because these are just
You
Yeah.
Rikitaro Suzuki
like, Tiny.
You
Uh, yeah, no, I mean, honestly, I feel like it's a great place to start, though. Like,
Rikitaro Suzuki
Yeah, I mean,
You
I,
Rikitaro Suzuki
yeah. Yeah.
You
like, the other day, at the studio, I was just like really excited and I like gave this girl who was like admiring like this huge thing I printed, like she was just like, wow, this is so cool. And I was like take it. You know, and she was like what? And I was just like, yeah, just take it. Like it's fun, you know? And she was like so happy about it. And I was like, damn, like, that took forever. You know what I mean? Uh, uh, um, but, um, I think that, like, a gotcha upon is literally like the correct answer for the same behavior. You know what I mean? I'm like, yeah, like here's a coin, like, you know, or bring a quarter, you know what I mean? Everybody gets like
Rikitaro Suzuki
Yeah,
You
a little
Rikitaro Suzuki
yeah,
You
gotcha
Rikitaro Suzuki
yeah.
You
pon, like, I shouldn't be giving somebody something that took me like 36 hours to print.
Rikitaro Suzuki
I know, but like, I know that feeling of like, yeah, I want you to have
You
Exactly,
Rikitaro Suzuki
that.
You
exactly, right? I'm like, I don't care, right? It costs me
Rikitaro Suzuki
Yeah.
You
what, $8 in material. like,
Rikitaro Suzuki
Yeah.
You
you know what I mean? Like, I'm not pressed, you know, but, but
Rikitaro Suzuki
No, no.
You
this is perfect. So I really got to run. I'm so sorry. Um, but
Rikitaro Suzuki
No,
You
let's
Rikitaro Suzuki
you're good, you're good.
You
talk a little bit later today. Awesome
Rikitaro Suzuki
Yeah, that sounds good.
You
Appreciate
Rikitaro Suzuki
All right. Take
You
you, my
Rikitaro Suzuki
care.
You
Peace.
Rikitaro Suzuki
Peace.
You
All right, gang, gang, gang. All right. So, what's popping? How are you? How's the camping? It looks sick.
Rikitaro Suzuki
It was it was really
You
Yeah.
Rikitaro Suzuki
fun. It was pretty cold, but definitely
You
Hell
Rikitaro Suzuki
worth it.
You
yeah.
Rikitaro Suzuki
Yeah, how
You
It
Rikitaro Suzuki
was your weekend?
You
was good. Um, Friday night we did the little shindig at the stew and like the stew is like, hovered in rugs now, so it's like. I've now called the stew, no shoes. Yeah,
Rikitaro Suzuki
Oh, yeah.
You
so yeah, like literally like pop out. Oh, you guys go into the no shoes party, like, yeah, you know. Um, I also realized like I'm never inviting a bunch of strange white people in there ever again. Like that shit was crazy. My man's like, has been such a huge supporter of me and like, he just comes to like literally every gig and stuff like that. So I was just like, and he and we collaborate a lot, right? So I was just like, nah,
Rikitaro Suzuki
Yeah.
You
it's his birthday, like, who's gonna show out for him? You know what I mean? I got somebody's got to do it. You know what I mean? Um,
Rikitaro Suzuki
Yeah, for sure.
You
uh, but yeah, now like that people were taking pictures of shit. I was just like, no, no, no, no. Y'all got to pretend like this doesn't exist. Like,
Rikitaro Suzuki
Mm-hmm
You
this is, this is not the attitude. This is not the energy. you know. Um,
Rikitaro Suzuki
Mm-hmm.
You
but yeah, no, like, it was great. Like, my homie came in town Saturday and Sunday and I went out a little bit and stuff like that. But yeah,
Rikitaro Suzuki
Hello.
You
I'm like, I like got my day started. Um, I have a meeting at one uh, with, um, uh, like with corded, but like I just have like one or 2 meetings like sprinkled throughout the week rather than having like, you know, like all day long working and stuff like that. Um, so, so yeah, I have bad time. Um, so definitely looking to, you know, just figure out kind of uh, how to start improving great. I feel like I feel like the, this week, I'm going to be working on, um, my sets for Memphis and Nashville. So I'm just
Rikitaro Suzuki
All
You
going to be like
Rikitaro Suzuki
right.
You
there's going to be a bunch of like me listening to music. So I feel like it's the right time to just like make a big push on crate for like a week. Um,
Rikitaro Suzuki
Oh, yeah. That's
You
so,
Rikitaro Suzuki
it.
You
so there's a few things that I want to do. First thing I want to do is just like clean up, right? Like there's a whole bunch of broken shit in there and then I did all the
Rikitaro Suzuki
Mm.
You
login stuff, whatever, right? Like, one thing that I did do was now 36247 inherits from crate. So the,
Rikitaro Suzuki
Okay.
You
now there's like a singular config that allows
Rikitaro Suzuki
Yeah.
You
you to define basically like the image on the landing page, like the animation in the background, the like URLs, like ors, all that other like configuration stuff, and like a single Tomo file, right? Um, And then that file. Uh, yeah, now if there's any changes to grade, you can just rebase against uh, the other remote and you're good to go.
Rikitaro Suzuki
Okay,
You
Yeah.
Rikitaro Suzuki
well, um. What is crate running on? Is it like an easy 2 or is it
You
No,
Rikitaro Suzuki
like?
You
so crate is a crate is cloudfront. Uh, Cloudfront S3,
Rikitaro Suzuki
right.
You
right? Um, those are the only, like, those are the only things that 36247 was based on. Um,
Rikitaro Suzuki
Mm-hmm.
You
when I switched to streaming, then I added a Lambda. Um, Right.
Rikitaro Suzuki
Oh, I see what you're saying. Yep.
You
And then I think I'm going to add dynamo as like state state sync, right? Like, I don't want to use it as state management. Like, I don't want to have an ORM or any other type of bullshit. I want, um, your, the, the, I want to continue using the mechanism where your state lives entirely locally, and then you can just sync
Rikitaro Suzuki
No.
You
it up, and then if you go to another place, you can like log back in and then your session is recreated. Yeah,
Rikitaro Suzuki
Through dynamo. Okay.
You
exactly. Ah, mhm.
Rikitaro Suzuki
Um. And then you were talking about users user management side of things,
You
Mm-hmm.
Rikitaro Suzuki
like.
You
Yeah, so the way that the user management works is also an S3, but I might switch it to dynamo, but the key will be your username, colon, the salted password that you enter, and then whatever state lives on the other side of that is what you get.
Rikitaro Suzuki
Hmm. Um. Do you see any, I guess, yeah, I guess feature
You
Mm-hmm.
Rikitaro Suzuki
wise, like, do you see discovery
You
Yes.
Rikitaro Suzuki
through crate? Like, can you find other
You
Yes,
Rikitaro Suzuki
people crates?
You
so I want to do like, like web dot grade or like, I don't know, search dot grade.com, some shit like that. I don't know. search will probably be the actual searching point, but like it
Rikitaro Suzuki
Mm-hmm.
You
will be, I don't know, whatever the top level, right? like, um, maybe index.crate.com, right? Uh, uh, or crate. Well, right now crate lives at crate. rumsey.world. Ill probably move it to crate.io if I can get that. But that may be taken by Rust. Um, So
Rikitaro Suzuki
Yeah.
You
I'll have to look, right? But it'll be something, whatever. It'll be something like something dot something crazy. You know what I mean? Um, oh, I actually could do C-R-A-T dot ES uh, for Spain. So I'm going to see if I can do that. And it'll just be the main page, right? Whenever you log into like the main page, right? You'll like log in and then you'll see kind of like the Discover page. And then from the Discover page,
Rikitaro Suzuki
Yeah.
You
you'll go to your own player and your own player is basically the current implementation. We would move this search out to the top. We have to figure, like, one big thing that's a problem right now is that, like, the UI is literally just me padding in the dark, right? Like, what I what
Rikitaro Suzuki
Yeah.
You
I really, really want to do is like have a conversation with you where we just sit down in like, uh, figma and we just draw it. You know what I mean? Um,
Rikitaro Suzuki
Mhm.
You
that
Rikitaro Suzuki
Okay.
You
would be... I mean, honestly, that would be where I would like to get by like Tuesday or Wednesday. And then by Friday. I want to integrate it with mycelium. That's
Rikitaro Suzuki
Okay.
You
like my job. So that, yeah, the idea is that it's deployed and implemented to deploy and implemented to prod in the, uh, like in my AWS environment, right? And it has user management and state syncing. And it just is implemented exactly how it is, right? And then like the
Rikitaro Suzuki
Uh-huh.
You
Discover page will literally just be a link to all of the other crates.
Rikitaro Suzuki
Okay, so then, are you thinking of having, like, a central registry of some
You
Correct.
Rikitaro Suzuki
sorts or is it
You
Yeah.
Rikitaro Suzuki
for, okay, rather than, Because I still do like the idea of some level of network effect in, but I guess that can be more so like recommendation and discovery
You
No, I
Rikitaro Suzuki
versus.
You
think, well, yes, I think you're right. Like, I haven't given this critical thought. So, like, I don't want to, like, say anything that I don't like truly believe, but I think that the, what I'm getting at is that the... I want to treat the framing for these concepts. Right? And so I
Rikitaro Suzuki
Mm-hmm.
You
think that that means that we have a central application, right, which is the same setup, but it doesn't have
Rikitaro Suzuki
Mm-hmm.
You
any storage associated with it, and it
Rikitaro Suzuki
Mm-hmm.
You
has dynamo and dynamo is simply like, uh, owner, colon, crate name, and then the euro.
Rikitaro Suzuki
Okay.
You
Yeah. Mm-hmm.
Rikitaro Suzuki
Okay. Um. Yeah, I guess it's like, how do you? There's a couple different angles to attack you from, like, the, I realize, yeah, you're right. The UI perspective is kind of
You
Mm-hmm.
Rikitaro Suzuki
important, what does it
You
Mm-hmm.
Rikitaro Suzuki
feel? Um. Because I guess like, You know, I guess the the format that everybody's copied is like the related artist
You
Mm-hmm.
Rikitaro Suzuki
thing.
You
Mm-hmm. Yeah,
Rikitaro Suzuki
But I
You
I want to,
Rikitaro Suzuki
do.
You
I want to do it as a network. Like, I think that's where the mycelium piece comes in where
Rikitaro Suzuki
Yeah.
You
it's like, okay, you have a crate, right? And York rate has physical controls, right? And digital controls, right? Digital controls for your crate are play, pause, not sorry. Um, I think there's 2 layers, right? There's the, uh, let's call it Beatis, excuse my language, but let's call it the BSC layer, right? Right? Like us, us to the user, right? Um, right? And then there's the B to B layer, a prey to a freight, right? And so I think the B to C layer has its own set of physical and digital controls, and then the B to B layer has the same, right? As the way that we kind of, uh, create, um, even like kind of the basis of like the object framework that we want to work with, right? Like their
Rikitaro Suzuki
Yeah.
You
service framework, right?
Rikitaro Suzuki
Yep.
You
And
Rikitaro Suzuki
Yep.
You
so service to service communication can be like, okay, I have this master key. It's like a huge object, like physical, right? Like we print like
Rikitaro Suzuki
Mm-hmm.
You
a, we print like a, like a key blade from fucking kingdom hearts and you're like, okay, shit. If you want to like join my crate, you got to like touch key blades or whatever, right? Like, you know what I mean? Right? And then like, 0 shit, our face are linked, you know what I mean? So like anybody that sees
Rikitaro Suzuki
Yeah.
You
your crate, this related to my crate over like a soul bond or whatever, you know what I mean? Right? And then like there's like the world, right? Like, I
Rikitaro Suzuki
Yeah.
You
think that the crates should literally just be geographically located, right? And you can play somewhere wherever you want. Like, they don't physically, like, I can place my Memphis crate in Memphis, and you can place your
Rikitaro Suzuki
Yeah.
You
crate, you know, in your neighborhood, right? But I think that, like, the, like, CRAT.ES would literally just be a map, right? as one of the interfaces. We can
Rikitaro Suzuki
Yeah.
You
do all types of different interfaces,
Rikitaro Suzuki
Yeah.
You
right? But the idea that
Rikitaro Suzuki
Yeah.
You
it's like a physical map, right? And you're like, oh, if you want to get to be in this crate, you can like physically go to this place and you can like tag this and now you have access to the crate as one way of doing it, right? Another way is like a digital control, right? Hey, I send you the secret one time link. You click that, you have access to the crate, right? But like having this multimodal system of connecting crates, and then everybody is registered globally.
Rikitaro Suzuki
Yeah. I do, I do like the idea that there is some informational
You
Mm-hmm.
Rikitaro Suzuki
hierarchy in regards of like, putting, you basically get more if you physically show up, you know,
You
Sure, sure, sure. No, I think,
Rikitaro Suzuki
uh,
You
I
Rikitaro Suzuki
yeah.
You
think that the, yes, there needs to be some sort of modularity in the, um, rights management process, right? Like,
Rikitaro Suzuki
Yeah.
You
I think we should overload all
Rikitaro Suzuki
Yeah.
You
of the words that they use in the industry currently to talk about this stuff so that we reestablish
Rikitaro Suzuki
Mm.
You
the meaning of these things, right? So like there's like production rights, there's distribution rights, there's, um, you know, uh, consumption rights, you know what I mean? Like, and so those consumption reds can take many forms, right? Consumption right of the type, uh, subscription of the type, one-time fee of the type, how me, right? You know what I mean? Right? So that's like the way that I want to build modularity in the rights management. We have to have like a, you know,
Rikitaro Suzuki
It's like a
You
Yeah,
Rikitaro Suzuki
publisher service, essentially.
You
we call it like fuck you, rights management or something like that. You know what I mean? And instead of like did DRM, right? We got to like, we got to like create something like mad disrespectful. You know, um, And uh, and yeah, right? There's like this fucking century that like monitors the entire system or is actually not really a thing. It just lives in the business logic underneath the system, right? That's
Rikitaro Suzuki
Mm
You
basically like, you suck my dick. Like, you know what I mean? Like, you know, like it's got to act like a New Yorker and people have to be afraid of it, right? Like, if you steal somebody's shit and we like find out that you steal somebody's shit, then we're going to ban you like fully, right? Like, I think another
Rikitaro Suzuki
Yeah, yeah.
You
part of this is like, that's going to be challenging, is the rights management in general, right? Like, one
Rikitaro Suzuki
Yeah.
You
thing that I want people to do, which is probably going to be a problem, like, in 10 years if we're successful, right, is like, or maybe shorter, but like, excuse me. The idea that you don't own the music. right? Like, in an ideal world, right? We would try to play nice with all the existing rights organizations and we would basically say, oh, people are distributing their music through this new platform. Like, nobody has, like, we don't have to pay any, uh, apad, what is it called? Um, fucking BMI or ASCAP or whatever, right? Like, this is this is the way in which these people are deciding to sell their their work, right? Um, But I think we need to take it a step further, right? And basically allow people to, like, do this, like, kind of, because, uh, P2P, file sharing shit where it's like, this is all the music that I DJ. Like, I want to treat this basically like a DJ pool as well, right? Because
Rikitaro Suzuki
Hmm.
You
that was my initial goal. Like I've been trying to build a DJ pool for like 5 years or something like that. And I've done it on Google Drive. I built like a little S3 tool, like before all the AIs to like do that and shit like that and it was great. It works. But the reality now is that like, oh, I can just build a player on top of it and we should be able to use that instead of any streaming service. Right. So
Rikitaro Suzuki
Yeah.
You
I still,
Rikitaro Suzuki
Yeah.
You
I still think that that's like critical. That's a critical path, right? Like I, no matter how we rework this, we can't lose that.
Rikitaro Suzuki
Yeah, I think the, I mean, personally, I think one of the fundamentals is like in regards
You
Mm-hmm.
Rikitaro Suzuki
to data ownership and then
You
Mm-hmm.
Rikitaro Suzuki
access, like, as an artist, you fundamentally own your
You
Mm-hmm,
Rikitaro Suzuki
data,
You
Mm-hmm.
Rikitaro Suzuki
you,
You
Mm-hmm.
Rikitaro Suzuki
all the way through. Um, but what I came to understand that like maybe is less important
You
Mm-hmm.
Rikitaro Suzuki
about ownership is just like
You
Mm-hmm.
Rikitaro Suzuki
access rights and being able to like revoke. I guess what we talked about last
You
Hmm.
Rikitaro Suzuki
Thursday, but yeah, revoking and granting access to different groups of people
You
Mm-hmm.
Rikitaro Suzuki
and things like
You
Yeah,
Rikitaro Suzuki
that.
You
and everything
Rikitaro Suzuki
Um.
You
has to be time bound, right? Even if you give somebody a quote unquote unlimited license, that's going to be like 9999 years. You know what I mean?
Rikitaro Suzuki
Yeah,
You
Right?
Rikitaro Suzuki
yeah, yeah. Yeah.
You
Like, in the future, one days, they're going to lock on everybody. And we got to, like, figure that out, you know? Like, I,
Rikitaro Suzuki
Yeah.
You
I want, I want like a Y2K moment where everybody's just like started their crate, like, like Sony started a crate in 2026 and like they get locked out of their own shit and like the artist owns it again. You know what I mean? Like I, that's like, that's actually critical. Honestly, this is really, really important. I want to
Rikitaro Suzuki
Yeah.
You
wait for labels to want to use our tool in a way that ultimately disadvantages them. Right?
Rikitaro Suzuki
Interesting.
You
Like, I want to, I want to trick them, right? I want people to, I want this to be something that people use organically and like labels are like forced to do it, and I don't mean like independence or whatever, right? Like major labels are forced to use it, and it eventually locks them out of their relationship with artists.
Rikitaro Suzuki
Yeah. No, I fuck with that. Um, I think the other side, well, I was thinking about, um, We talked about data access. We talked about. Okay, the people, um, yeah, eventually, like, I realize it does come down to, I, the analogy that I keep thinking about is just like how TV and like movies work in that world
You
Hmm.
Rikitaro Suzuki
of, how studios grant, I guess, licensing and things
You
Mm-hmm.
Rikitaro Suzuki
like that
You
Mm-hmm.
Rikitaro Suzuki
to a Netflix
You
Mm-hmm.
Rikitaro Suzuki
to use
You
Mm-hmm.
Rikitaro Suzuki
for the time
You
Mm-hmm.
Rikitaro Suzuki
period, but it doesn't work like the music. The assumption is
You
Mm-hmm.
Rikitaro Suzuki
upload. It's there forever.
You
Mm-hmm. Mm-hmm. Yeah.
Rikitaro Suzuki
And then if you wanted to get down, it's like a whole convoluted process all to
You
A
Rikitaro Suzuki
itself.
You
100%. Yeah, I mean, look, like, I think there are certain realities that are, um, indisputable, right? Like, there's no way to fully protect the music, right? Like,
Rikitaro Suzuki
No,
You
You
Rikitaro Suzuki
no, no.
You
know, that, like, we, like, I know that you know that. I just really want to make sure that in this recording it's clear that we understand that. right?
Rikitaro Suzuki
Yeah.
You
Like,
Rikitaro Suzuki
Yeah.
You
there's no way to stop people from recording with their phones or recording
Rikitaro Suzuki
No.
You
directly or whatever, right? So.
Rikitaro Suzuki
Yeah, either
You
Knowing,
Rikitaro Suzuki
like, yeah. Black
You
Knowing
Rikitaro Suzuki
holes, yeah.
You
that's true, right? Our only real ability to enforce that is at the corporate level, right, at the highest level. Like, we know that people are going to steal. That's like how music works, right? Movies, all kind of media works that way, right? So the
Rikitaro Suzuki
Mm-hmm.
You
like protections and the enforcement is like when we're talking to white people, right? Like, meaning like people who are consumers that are not creators, that's like what I I'm just calling white people right now. Um, and,
Rikitaro Suzuki
Yeah.
You
uh, also, um, you know, like moneyed white people, right? People that like are, you know, somewhat invested in the like financial side of, uh, of music, right? Um,
Rikitaro Suzuki
Mm.
You
and so the idea is like, at its basis, this is a platform to protect the interests of everyone involved until like, you know, create a far more equitable and decentralized, not democratic, but decentralized methodology for how we deal with music access, period. Right? I
Rikitaro Suzuki
Yeah.
You
want to make sure that that like is the correct, like, motivation and like, model tagline, like that, that's the thing that's like critical for us to like kind of, like, rock now, and do you have 3 minutes left or are you good? Oh, I actually have 3 minutes left.
Rikitaro Suzuki
Yeah,
You
Fuck.
Rikitaro Suzuki
yeah,
You
Uh,
Rikitaro Suzuki
yeah.
You
I don't know. Um, yeah.
Rikitaro Suzuki
Um. No, that's that that sounds about right. I think, yeah, the. It's, yeah, I guess it comes down to, yeah, decentralization, reversal of data
You
Mm-hmm.
Rikitaro Suzuki
ownership and limited time use, um, granted upon by the artists or collective or label. If it's like a small collective label, whatever, grouping of people.
You
Mm-hmm.
Rikitaro Suzuki
Um. That, yeah, isn't infinite
You
Mm-hmm.
Rikitaro Suzuki
access.
You
Mm-hmm.
Rikitaro Suzuki
Um. And then, I guess the other thing that I want to put in there just
You
Mm.
Rikitaro Suzuki
is like prioritization of people showing up in IRL as opposed to hanging out digitally. Um, and be being
You
Mm-hmm.
Rikitaro Suzuki
rewarded for showing up. Like,
You
Mm-hmm.
Rikitaro Suzuki
that's that's important.
You
Mm-hmm.
Rikitaro Suzuki
Because that, that's where the conversation happens.
You
No, 100%. Yeah, cool. No, it totally makes sense, right? I do think that like, by, um, I don't know if you've seen like USB club or some of these other things, but like, there's other groups of people doing things where like they'll send you a USB and the USB only allows you to like put music on it when you are physically at a location or they do like USB meetups,
Rikitaro Suzuki
Oh
You
where
Rikitaro Suzuki
cool.
You
everybody just plugs
Rikitaro Suzuki
Wow,
You
in their USB
Rikitaro Suzuki
that's
You
and like gets
Rikitaro Suzuki
good.
You
the new music. So like, yeah,
Rikitaro Suzuki
Yeah.
You
I feel like there is a growing community of people like trying to create kind of a, again, like a physical expression of the relationship,
Rikitaro Suzuki
Mm-hmm.
You
the media relationship that we have, you know what I mean? Um,
Rikitaro Suzuki
Yep.
You
so, so yeah, no, we're in, uh, we're in hyper agreement. You
Rikitaro Suzuki
Yeah, yeah.
You
know.
Rikitaro Suzuki
I also got a
You
I
Rikitaro Suzuki
gotcha pun machine.
You
know you told
Rikitaro Suzuki
Like
You
me I'm so fucking
Rikitaro Suzuki
a...
You
excited dude. Did they did they come in? Please
Rikitaro Suzuki
Yeah, it's so sick.
You
say pigs. I
Rikitaro Suzuki
Yeah.
You
like need
Rikitaro Suzuki
Yeah,
You
to see
Rikitaro Suzuki
right.
You
this. Um, but I'm
Rikitaro Suzuki
Yeah, it's
You
also going to post this,
Rikitaro Suzuki
so.
You
this conversation um, in, in, uh, or the recording in, uh, What's it called? In Discord, and I'm going to get the, uh,
Rikitaro Suzuki
Okay.
You
I'm going to, what's, I'm going to do a dictation of it as well. Uh,
Rikitaro Suzuki
Okay. Yeah, that
You
but you,
Rikitaro Suzuki
sounds cool.
You
sorry, sorry to interrupt. I just wanted to say that before we close it up. What were you saying about the Gotcha
Rikitaro Suzuki
Yeah.
You
Bond?
Rikitaro Suzuki
No, no, that's, that's, that's it. I sent you a video.
You
Oh, fire, fire. No, dude, honestly, I'm so excited. You look.
Rikitaro Suzuki
I do have to like design new keychains for that size limitation. It's
You
Oh
Rikitaro Suzuki
smaller. It's like
You
hell
Rikitaro Suzuki
50
You
yeah.
Rikitaro Suzuki
millimeters.
You
Bandai too, my guy. This is so sick. How much did it cost? You said 250?
Rikitaro Suzuki
It was
You
No
Rikitaro Suzuki
like 80 bucks.
You
way. Dude,
Rikitaro Suzuki
Yeah, wasn't that bad.
You
we should buy like 8 of them.
Rikitaro Suzuki
Yeah, that's kind. That's
You
Wait,
Rikitaro Suzuki
that's what I want.
You
can you send
Rikitaro Suzuki
But
You
me the link?
Rikitaro Suzuki
I.
You
I'm gonna actually buy my own.
Rikitaro Suzuki
Yeah.
You
I mean, immediately.
Rikitaro Suzuki
No, there's, it's so sick.
You
Yeah.
Rikitaro Suzuki
Um. Yeah, I found it on, it's on Amazon. It's pretty. They're pretty nice. Um. But I will say, like, at some point, I do want the full size one because these are just
You
Yeah.
Rikitaro Suzuki
like, Tiny.
You
Uh, yeah, no, I mean, honestly, I feel like it's a great place to start, though. Like,
Rikitaro Suzuki
Yeah, I mean,
You
I,
Rikitaro Suzuki
yeah. Yeah.
You
like, the other day, at the studio, I was just like really excited and I like gave this girl who was like admiring like this huge thing I printed, like she was just like, wow, this is so cool. And I was like take it. You know, and she was like what? And I was just like, yeah, just take it. Like it's fun, you know? And she was like so happy about it. And I was like, damn, like, that took forever. You know what I mean? Uh, uh, um, but, um, I think that, like, a gotcha upon is literally like the correct answer for the same behavior. You know what I mean? I'm like, yeah, like here's a coin, like, you know, or bring a quarter, you know what I mean? Everybody gets like
Rikitaro Suzuki
Yeah,
You
a little
Rikitaro Suzuki
yeah,
You
gotcha
Rikitaro Suzuki
yeah.
You
pon, like, I shouldn't be giving somebody something that took me like 36 hours to print.
Rikitaro Suzuki
I know, but like, I know that feeling of like, yeah, I want you to have
You
Exactly,
Rikitaro Suzuki
that.
You
exactly, right? I'm like, I don't care, right? It costs me
Rikitaro Suzuki
Yeah.
You
what, $8 in material. like,
Rikitaro Suzuki
Yeah.
You
you know what I mean? Like, I'm not pressed, you know, but, but
Rikitaro Suzuki
No, no.
You
this is perfect. So I really got to run. I'm so sorry. Um, but
Rikitaro Suzuki
No,
You
let's
Rikitaro Suzuki
you're good, you're good.
You
talk a little bit later today. Awesome
Rikitaro Suzuki
Yeah, that sounds good.
You
Appreciate
Rikitaro Suzuki
All right. Take
You
you, my
Rikitaro Suzuki
care.
You
Peace.
Rikitaro Suzuki
Peace.